Carlo Rampazzi Ottomans and Poufs

This round fur ottoman will be the wow factor that your decor needs. The snow white Mongolian fur ottoman will look and feel super lush in any in...

Poufs Shell upholstered and covered with high quality brown genuine leather. Handmade in Spain in 2019. Weight: 10kg.

Pouf in tessuto o alcantara non perfetto come da foto. Una ruota bloccata Grazie

Offered is a pair of Mongolian sheep sculptures for use as pouf ottomans. Most likely European origin, circa 1960's. Quality constructed for actual use as seating. Solid wooden bodie...

Pouf Clapton upholstered and covered with brown genuine italian leather capitonated. Also available in black finish, on request.

Geometric printed velvet pout. Firm for seating or use as ottoman. Great as a pull-up chair. Measurements: Overall: 26”W x 26”D x 21”H Price As Shown...

This ottoman/pouf was made in our workshop with old velvet fabric from the 1950s.

Very nice leather patchwork pouf. In an sand color. Comes with storage under the lit. And of course you can sit on it. Good condition.

Pompa Pouf by Houtique Materials: Wood, Velvet Dimensions: H 45 x D 44 cm Pouf with wood structure and velvet fabric 4 modules connected by wooden sleepers...

Set of 3 Patchwork Leather Turtle. 1x extremely rare giant Turtle pouf plus 2x smaller poufs suitable for children. The seat height of the smaller Turt...

Imagine relaxing with this real fur ottoman! Whether styling a living room for seating or foot comfort or adding a little glam to a bedroom, this snow white Mongolian fur pouf will look and feel amazing in any interior setting. Each fur ottoman features the most luxurious and silky Mongolian sheepskin...

"Blocco" is a pouf, designed by Nanda Vigo and manufactured by Driade, with wooden frame and padding in polyurethane foam of varying density. Upholstery in black Mongolian fur or in Loira velvet. Indoor use only. DIMENSIONS: D. 19.2", W. 17.3", H. 22.8", Seat H. 14.1" The “Blocco” seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat! Nanda Vigo said about "Blocco": "Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need." NANDA VIGO, born in Milan in 1936, lives in East Africa and works in Milan. She showed an interest in art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study the architecture of Giuseppe Terragni, in which she immediately noticed the subtle employment of natural light. She studied architecture at the Ecole Polytechnique in Lausanne, worked as an intern in San Francisco, then returned to Italy where she opened her own studio in Milan. The underlying characteristic of the work has always been the relationship between light and space, which she has developed in a series of “environments” that blend architecture and design. In 1959 she began to visit the studio of Lucio Fontana and got to know that artists who founded the Azimut Gallery in Milan: Piero Manzoni, Enrico Castellani and Vincenzo Agnetti. During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe. Between 1964 and 1966 she participated in some thirteen Zero exhibitions, including “Nul 65” at the Stedelijk Museum in Amsterdam, and “Zero: An Exhibition of European Experimental Art” at the Modern Art Gallery in Washington D.C.. She was the curator of the legendary exhibition “Zero avantgarde” in 1965 in Fontana’s studio in Milan, at which some 28 artists were represented. In 1964 she created Utopie with Lucio Fontana for the Triennale. Again at the Triennale, in 1973 she organized a performance at which architects and artists freely intervened: it's considered to have been the first happening at the event. In 1974 she received the New York Award for the Industrial Design for the Golden Gate lamp...